We Are Always In Our Own Company

A man with a pigs head seated on a chair reading a newspaper with a beer on the floor - We Are Always In Our Own Company

A reflective piece about being at peace with oneself after many years of self-destruction: the newspaper has a small self-portrait on the cover. We are always in our own company.

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Sisters

two women talking with a dog at their feet - Tony South - Sisters

A painting of my Mum and Aunt having a good old chinwag, the smiley Bull terrier makes up the composition. Sadly my mum and my Aunt passed away, this piece is a nice reminder and keepsake of good times past.

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Michael

A man in a karate pose in front of two officers - Tony South - Michael

This painting was based on a weird dream featuring the character “Michael” from the film “Ryan’s Daughter” confronting the police in a weird Karate Kid fashion…very strange but I had to paint it.

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Lil’ Devil

a baby and a dog with red lips and devil's horns and tail - Tony South - Lil' Devil

Based on the media/societies perception of a whole cross-section of dogs and labeling them “Devil dogs,” etc. mainly based on how they look. In the UK, the police were seizing family pets purely because they looked a certain way.

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V

A baby wearing a helmet and goggles with his middle finger up surrounded by two dogs and a guitar -

The precursor to the “Brighton bullseye” painting. A fusion of Rock n Roll iconography dwarfed by the child’s security dogs, no ones going to pinch his Gibson.

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A.C.A.B.

A baby with a cigarette looking at a dog with a policeman's hat on - Tony South A.C.A.B.

In my hometown in South Yorkshire in the 1970s and 1980s, amidst the chaos of the Miners strikes, you would often see the phrase A.C.A.B (All coppers are bastards) scrawled on walls and such. A release of tension from a community woefully forgotten at the time.

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Gestate

A woman walking a bull terrier - Tony South - Gestate

Featuring my own Staffordshire bull terrier, in the painting the pair are both pregnant and single and both vilified by a societal view bolstered by the media in the UK at the time of what was called the “Chav” culture.

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